
embodying the intangible
SITE GENERATED ARCHITECTURE AT PRINCESS VLEI
Dissertation Project M.Arch(Prof.)

initial imaginings for Princess Vlei
This dissertation is site driven, emerging from an interest in the controversy and resultant inspired community input surrounding the Princess Vlei wetland. It explores the approaches of designing for a natural open space that a community is strongly connected to by uncovering distinct meanings in the vast natural landscape of Princess Vlei and embodying them in an architectural and landscape intervention. This dissertation proposes enhancing site experience through the use of poetic landscape and built strategies, while simultaneously supporting and diversifying current activities by means of pragmatic considerations of program.
An exploration into the history, legend, memory and imaginings associated with Princess Vlei illustrate that landscape is not simply made up of physical attributes, but holds intangible values. The variety of human expression and activity that take place at the vlei define it as a cultural space whereby the practices and relationship of the community with the site are what form its unique character and provide a strong basis for it to be conserved and enhanced.
The increasing pressure of urbanisation and commercialism have led to contestation over the use of land on the eastern bank of the wetland. The proposal of the City to sell the land to private developers for the construction of a mall on the wetland's banks inspired counter-proposals by environmental organisations. These have in turn inspired this dissertation project which puts forward a more meaningful approach to green spaces in the city. The project is built upon community driven imaginings and embodying intangible qualities of landscape through an evocative intervention that captures memories that run the risk of being lost through inappropriate development.
The core intention of the building and landscape strategies in the project was to embody the memory of the Khoisan. As the culture placed little importance on material culture, the focus was on creating enhanced landscape experiences and an awareness between the human body and surrounding natural elements.

Khoi San indigenous gardens define paths through the site and wind protection from prevailing South Easter is provided through taller shrubbery

Collage exploration into circulation element and relation to landscape

In Khoikhoi descriptions of landscape, water is depicted as the most valued geographical element. The landscape viewer therefore serves as a symbolic bridging of this previous disconnect from water, taking form as a sculptural circulation element which connects the suburban to the water, allowing you to look into the site and over the site

Framed views within exhibition spaces provide a constant connection with the surrounding landscape


With the circulation in relative darkness, a top slit of natural light from the north side provides a band of illumination that continues along the edge of the path, leading towards the evocative reveal of the vlei. Below this light slot, water flows in a channel, collected from swales filtering water from the northern catchment area. The combined visual and acoustic quality of water and light in the bare concrete pathway creates a phenomenological space of landscape contemplation